Redress (Decade)

REDRESS – DILSTON GROVE

In 365 DRESSES, Anne hung seven flowery dresses every week for one year in a hidden, wild space of Southwark Park. The idea of a representation of nature and nature itself became entangled and merged as the dresses (dis)integrated into their surroundings. This process led to many works with women all over Europe and the Middle East and is still ongoing, currently working with the young Kurdish-Iraqi artist, Poshya Kakl on actions to do with ISIS. Anne has kept some of the residue of the original dresses eaten by worms and snails or simply rotting. For Redress, she will produce an installation that probes the layers between material and immaterial existence and unforeseen trajectories that are generated between the DECAYED and the DECADE

Redress (Decade)

REDRESS – DILSTON GROVE

In 365 DRESSES, Anne hung seven flowery dresses every week for one year in a hidden, wild space of Southwark Park. The idea of a representation of nature and nature itself became entangled and merged as the dresses (dis)integrated into their surroundings. This process led to many works with women all over Europe and the Middle East and is still ongoing, currently working with the young Kurdish-Iraqi artist, Poshya Kakl on actions to do with ISIS. Anne has kept some of the residue of the original dresses eaten by worms and snails or simply rotting. For Redress, she will produce an installation that probes the layers between material and immaterial existence and unforeseen trajectories that are generated between the DECAYED and the DECADE