Anxtions

1970-80

During the 70’s, with the artist Peter Davey, both in public and private investigations we made a series of  ‘anxtions;’ anxious actions. These actions, included reconstructing paintings as ‘live’ works, collaborative paintings, reconstructing Bollywood scripts, taking a journey prescribed by chance edicts and based on Samuel Beckett’s novel  ‘Mercier and Camier,” evoking the wild imagery conjured in songs such as Screaming Jay Hawkin’s ‘Alligator Wine’ to create visual/sound actions, working with the poet May Green on specially commissioned poetry to be used as improvised texts:
And the Sunflowers

Turn in a long slow

Dance

Offering fierce

Sun bird seed
While cowboys

Thread small cattle,

down a dusty lane

in Florida

M. G.  1978
In the 1979 Hayward Annual, with Peter Davey, we presented 15 ‘ANXTIONS.’ These anxious actions including one in which, painted gold with honey on our heads, Peter delivered an academic lecture on Beuys as shaman whilst I unpicked a fluffy toy rabbit, laying it’s stuffing and furry material out as an exhibit. I then wrote “Art or Archive” and put these words, the rabbit bits and torn up books in an electric blender which shredded all ofthem. I read out bits of text from this fragments to make a cut-up poem.

Letter to  Helen Chadwick curator of Hayward Annual 1979

Dear Helen,

This is a brief description of the piece I intend doing for the Hayward Annual. I will be doing it with one other person, Peter Davey and it will be 15 x 5 minute performances. As things stand at present the following are the proposed ideas or titles of each part:

1)    A WRESTLING MATCH

2)    NEXT STOP LUMASVILLE (A HORROR PLAY)
)    INTIMATE CONFESSIONS

4)    A LECTURE ON JOSEPH BEUYS

5)    A PERFECTLY EXECUTED DANCE FROM AFRICA

6)    MAN INTO WOLF (A VOICE/MUSIC PIECE)
7)    MR SPIRE AND MRS SPEER  (A DOCUMENTION OF A JOURNEY BASED ON BECKETT’S ‘MERCIER AND CAMIER’

8)    ‘THE GREEN ROBE’ (A RESTRUCTURING OF MATISSE’S PAINTING)

9)    A POLISHED CABARET PIECE

10) THE COMEDIAN

11) A CONVERSATION ABOUT THE CONTENT OF THE PIECE

12) AN UNKNOWN POETESS READING HER POETRY

13) 5 TOTALLY UNPREPARED MINUTES

14) THOUGHTS ON AN INDIAN SUMMER EVENING (THE MEMORY OF A CONVERSATION)

15) HYPNOTISING THE AUDIENCE INTO HAVING HAD A GOOD TIME