I was invited to make a work relating to ‘Futures of Live Art’ in response to a project Histories and Futures of Live Art in the UK, commissioned by LADA, Live Art UK and ACE

As a part of the ensuing film Futures, edited with Alex Eisenberg, I commissioned several Zambian artists to make films, as well as having recorded conversations with them on zoom. I also included works from Come Hell or High Water and from The Light of Day.  I saw numerous pointers in these projects that embody positive, relevant trajectories towards future strategies for Live Art. By briefly focusing on each of these voices, the film developed into an interconnected incantation creating potential pointers to ways of living across both life and art.

The work, concepts and voices of artists appearing in this work include:

Serah Chibombwe, Anawana Holoba, John Latham, Jeanette Iljon, Agness Yombwe, Gladys Kalichini, Harriet Latham, Barbara Steveni, Marita Banda, Yoweli Chungu, Annabel Hughes Aston, Benjamin Mibenge, Vivian Chinasa Ezugha, Rachel Cohen, Richard Wilson, Ansuman Biswas, Mark Anderson, Moa Johansson, Charlie Fox, Stella Pearce, Aaron McPeake, The Neo naturists